Adriane Post, violin & viola
Edwin Huizinga, violin
Kivie Cahn-Lipman, viola da gamba & lirone
Loren Ludwig, viola da gamba
Beth Wenstrom, violin
Elliot Figg, harpsichord & organ
Kyle Miller, viola
Paul Dwyer, cello
Doug Balliett, violone & viola da gamba
Johanna Novom, violin

Baroque band ACRONYM—an “outstanding young early-music string ensemble” (The New Yorker)—is dedicated to giving modern premières of the wild instrumental music of the seventeenth century. Playing with “…consummate style, grace, and unity of spirit” (The New York Times), the group formed in 2012 and has released eight critically acclaimed CDs since 2014. Recent projects include the first modern performances and recordings of works by Biber and Rosenmüller, and Samuel Capricornus’s epic cantata cycle Jubilus Bernhardi with the Bach Choir of Holy Trinity. Forthcoming albums include the première recording of Johann Heinrich Schmelzer’s forgotten oratorio Le Memorie Dolorose alongside the early music ensemble TENET Vocal Artists.

ACRONYM BaroqueRecent and upcoming engagements for ACRONYM include Boston Early Music Festival, Music Before 1800 (NYC), Isabella Stewart Gardner Museum (Boston), Washington National Cathedral (DC), Hamilton College Performing Arts Series (Clinton, NY), Indianapolis Early Music Festival, Toledo Museum of Art, Renaissance & Baroque (Pittsburgh), Academy of Early Music (Ann Arbor), Chamber Music Wilmington (NC), Electric Earth Concerts (Peterborough, NH), Mahaiwe Performing Arts Center’s Close Encounters with Music (Great Barrington, MA) and Five Boroughs Music Festival (NYC). In the 2018-19 season, ACRONYM has academic residencies at Youngstown State University and Vassar College. ACRONYM’s musicians can be heard in Apollo’s Fire, Tafelmusik, Les Arts Florissants, Handel and Haydn Society, Chicago Lyric Opera, International Contemporary Ensemble and the English Concert.